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Two-poi wall plane isolations in front of the body, focusing on clean isolation points and tight planes. The lesson explores switching inside positions and playing with symmetry, overlaps, and apart-together spacing to create anti-gravity style visual illusions on the wall plane.
Poi pattern combining an upward-pointing triquetra in one hand with an arm extension in the other, switching back and forth in switchbacks. The hands stay close together as the triquetra and extension alternate while moving inwards.
Time Flies is a poi clockwork pattern, often shown on the wall plane, that creates a clock-like shape moving through the air. It combines a tick-tock rhythm with tri-kera-style positioning and drifting side to side as the hands cycle.
Infinite spiral wraps for poi, using continuous spiral wrapping around the wrists. The pattern uses a clasped-hand position and a knuckle-led grip, creating a repeating wrap and unwrap that cycles smoothly without stopping.
Review of several entries into a backward behind-the-back weave in poi, focusing on turning orientation and setting up the crossing over-under timing so the pattern can start cleanly behind the back.
Review of how to enter a forward behind-the-back weave in poi. The lesson relates the behind-the-back weave timing to front weaves, highlighting the over/under pathway and how either hand can initiate the pattern for a clean setup.
A poi lesson on body bounces, focusing on rhythm and timing while bouncing the poi off the body. It highlights counting patterns where downbeats land on numbers and upbeats land on “and” counts.
A poi Tick Tock clockwork pattern using a full range from low near the pelvis up to the top. The movement alternates which arm is on top, switching sides with consistent timing while one hand circles and the other marks the tick-tock rhythm.
Continuous looping of the Tick Tock poi pattern, keeping straight planes and steady rhythm. The lesson focuses on repeating the movement smoothly with coordinated arm and body timing for an even, consistent loop.
Horizontal poi spinning practice using a tabletop as a reference for a true horizontal plane, focusing on keeping the poi head tracing an even circle while adjusting speed and reducing plane wobble.
A poi pattern known as G’s favourite move, using each hand to travel straight upward while switching from front to back over the shoulder and back to front under the armpit. The motion aims for parallel, even “elevator” rises on both sides.
A poi meltdown pattern based on split-time hip reels, with the arms wrapping around the body during the reel. The movement alternates front-to-back swings and a deeper wrap that brings the poi around to the far side in front.
A poi lesson on the basic stall-chaser pattern, built from clean stalls on both sides. The movement focuses on extending the arms and keeping clear right angles between the arm and poi while slowing, following, and stopping into repeated stalls.
Conclusion of the Swoopty Swoop poi pattern, showing the final sequence and how it connects to the main lead-in. The movement combines alternating opposite-side timing with antispin and extension pathways to complete the swooping finish.
Clover flowers in poi, creating a clover-like pattern using anti-spin split-time opposite wall-plane flowers. The lesson focuses on keeping the hands vertically aligned and explores variations with the flowers inside the arms or with one poi in front of the arms.
Poi pattern combining antispin and inspin with alternating high and low stalls, using clear center-line alignment. Focuses on coordinating one poi in antispin-stall timing while the other matches in inspin stalls.
Poi spiral wrap pattern performed behind the head, creating a behind-the-head halo-like spiral. The lesson focuses on moving spiral wraps from in front and above the head into position behind the head.
Add an extra arm trace into a six-petal fountain sequence in poi, extending the tracing path around the arm between shoulder and armpit. The pattern is shown in both forward and reverse weave directions.
A poi lesson on cleaning up the Time Flies pattern, combining a triquetra on one hand with an extension on the other. It focuses on clear timing between split-time opposite and split-time same-direction phases and keeping the lines smooth and consistent.
A poi lesson on cleaning up the Time Flies pattern by isolating key components, including triquetra-style hand motion and clear plane control. Focus is on keeping both arms moving together, maintaining extension, and creating a full, even path across the center.
The Clap is a poi pattern using split-time, same-direction spinning on a wall plane, with both hands isolating inward to meet together like a clap. It focuses on keeping the two poi aligned in timing while the hands open and close in sync.
Antispin buzzsaw flower patterns for poi, focusing on switching between forward and backward buzzsaw timing while maintaining antispin arm motion. The lesson centers on keeping clean circular arm paths as the poi reverse direction within the buzzsaw flower.
Explores combining plus-sign flowers and X-shaped flowers in poi, with petals aligned on cardinals versus between cardinals. Focuses on how split-time timing pairs these two flower types, a requirement for antispin buzzsaw patterns.
Mastering the 5-beat weave as example of needing to do lead-ups
A poi lesson on the 5-beat weave, using it as an example of why lead-ups matter for smooth, controlled patterns. Focuses on breaking the weave into simpler parts and building up to cleaner timing and wrap-around motion.
Poi lesson exploring variations on the Swoopty Swoop pattern, changing how the motion moves between caps and continuous flower tracking. It includes options like staying in the flower longer, switching inward and outward paths, and routing the pattern over the top or through the bottom.
Stalls, plane changes, and performing in the round
An overview of poi stalls and plane changes, with a focus on adapting patterns for performing in the round. It connects controlling clean planes and using stalls as moments to reorient the poi so different audience angles can see the geometry.
Shoulder snakes for poi, built from clean isolations. The pattern bends the plane as the hands come together in front and then move behind the shoulders, repeating in a smooth rhythm while maintaining symmetrical control.
Behind-the-back weave for poi, focusing on how body rotation can reduce the arm range needed. The lesson shows a behind-the-back weave approach that keeps the hands closer to the sternum, supporting dancers with limited flexibility or larger body size.
A poi whirl practice focused on spotting with the environment, using fixed lines and visual markers to guide a clean arc up, across, and down. It emphasizes tracking the poi path with the eyes and reducing extra looping during whirls.
Turning-in-a-circle footwork for poi using a pivot-step pattern, focusing on shifting weight between feet during each pivot. The lesson highlights taking weight off the trailing foot so the lead foot can rotate and step smoothly in the direction of the turn.
Poi practice focused on antispin patterns and controlled stalls, using a physical target for clear spatial reference. The lesson highlights placing antispin and up-stall movements into a three-dimensional target to refine accuracy and timing.
Poi body tracing variations that alternate between both arms, connecting traces across the armpit, torso, shoulder, and neck. The pattern is shown as an extension from a reverse archer weave, cycling through symmetrical circuits on each side of the body.
An early introduction to warming up for poi practice, starting with breathing, gentle bouncing, and loose full-body movement with music. The warmup gradually builds into deeper movements such as squats and simple balance changes as the body warms.
Adding an extended same-time turn to chase the sun
An extended same-time turn added to a poi Chase The Sun pattern, combining a full-body rotation with the arm path. The movement keeps both poi aligned as they travel up one side and down the other while turning.
A poi left-right coordination drill that alternates one poi spinning while the other arm swings naturally, then switches sides. The pattern explores timing and direction changes to make the hand switch smoother.
Poi drill for circling the arms in opposite directions, with one arm forward and the other backward. Focus is on keeping each hand on a clear wall-plane track while coordinating both circles smoothly.
Behind-the-back poi weave leadups, using behind-the-back crosses to set up the weave pattern. Focus is on keeping each poi on clear wheel-plane tracks while the body turns with the motion, moving smoothly from right-side to left-side behind the back.
Switchy Switchy is a poi pattern in split-time, same-direction spins on the wall plane, alternating which poi crosses in front on each beat. The focus is on clean front-back switching, using either relaxed arm control or a body wobble to drive the changes.
Chase the Sun in poi, linking the hip reel and shoulder reel into one continuous pattern. The movement focuses on flipping the poi behind the hips and behind the shoulders while keeping feet planted and using a small, angled body turn.
Focuses on making a poi 4-petal antispin flower cleaner and more symmetrical, with clear rhythm and distinct extension points. Emphasis is on keeping the pattern aligned to consistent cardinal directions so each petal and point reads clearly.
Poi hip reels with a focus on keeping the movement compact and controlled. The lesson highlights reducing extra arm and elbow motion, using small wrist and finger action, and maintaining clean planes while spinning in each direction.
An overview of deadbeat weave patterns for poi, focusing on the deadbeat timing feel while moving through weave pathways. The lesson highlights how deadbeat weaves differ from regular weaves in rhythm and spacing.
An overview of how to dance and flow more freely with poi instead of repeating set patterns. The lesson focuses on connecting movement to music, exploring expressive body motion, and then adding poi with simple actions while keeping attention on overall dance and creativity.
An introduction to behind-the-back poi spinning at a steady 14 Hz, with a focus on keeping a clean horizontal plane. The lesson explores basic horizontal “helicopter” motion moving up and down, plus a simple arm-hoop pathway to vary the spin.
Horizontal poi practice combining 14 Hz flowers with CAPs (capped antispin) patterns. The focus is on alternating extension and antispin while tracing flower-like paths in a horizontal plane.
An introduction to body tracing in poi, focusing on keeping the hands and poi close to the body. The lesson shows body tracing within an archer’s weave pattern, tracing along the arm between the wrist and shoulder while maintaining the weave.
A poi warm-up focused on exploring different modes of movement, starting with full-body gentle motion and breathing. The sequence adds basic spins and turns while varying range, height, and direction, including same-time and split-time patterns and simple plane changes.
Introducing the goal of whirling with all the modes
An introduction to whirling in poi using multiple modes, focusing on maintaining clear arm planes while turning the body. The lesson frames consistent posture, spotting, and basic timing options like same-time and split-time during the whirl.
Poi flower patterns, focusing on making clear, consistent petals through smooth circular arm motion. The lesson references symmetry, cardinal point timing, and variations such as different petal counts while keeping the overall shape clean and even.
Jon demonstrates CAP stalls in poi, showing how a CAP pattern can compress into sharp stall points, especially with shorter poi and a more compact arm path. The focus is on finding clear stall moments while keeping the CAP shape consistent.
Explores poi crosspoints in windmill-style milling patterns, focusing on how crosspoint location changes from above the head to shoulder level and down near the body. Shows how shifting body and arm timing relates to hitting one central crosspoint versus two opposing crosspoints.
More buzzsaw - in and out of full buzzsaw and turning all the way
Poi buzzsaw variations focusing on moving in and out of full and half buzzsaw while turning. Explores switching which poi is in front and keeping a steady buzzsaw shape through close hand circles.
More on jiggies behind the back and head - essential for turning freely
Behind-the-back jiggy variations for poi, focusing on turning with the poi staying behind you. The lesson connects this behind-the-back jiggy approach to freer turns and smoother entries into behind-the-back weaves and high turns.
More thoughts on making 4-petal antispin beautiful and safe
Antispin 4-petal poi flower with a focus on making the pattern smooth and safe, using arm circles, shoulder alignment, and relaxed body movement. The lesson highlights turning with the motion to avoid overreaching behind the body.
A poi drilling game called “freeze,” where you pause briefly during weaves and cross-arm positions to check control of rhythm and plane alignment. The pattern repeats at chosen musical intervals, exploring different moments in a sequence and holding still before continuing.
Stall and reverse progression 3 - Turns between wheel planes
A poi progression combining stalls and reverses on wheel planes, adding turns between planes. The sequence alternates right and left reverses with stalls, then uses body turns to redirect both poi together while keeping track of their forward or backward rotation.
Stall and reverse progression 4 - Playing on wall plane
Poi stall and reverse progression practised on the wall plane, alternating right and left stalls to switch directions. Includes working from both poi spinning forward into opposites and back, exploring inward and outward wall-plane spins in same time or split time.
Stall and reverse progression 5 - Quarter turns between wheel and wall plane orientation
A poi stall and reverse progression using quarter turns to switch between wheel and wall plane orientations. Focuses on turning through 1/4 rotations while maintaining stalls and reverses as the movement changes plane.
Poitruvian arms for poi, based on the Vitruvian-style arm path around the head and body. The lesson shows a full circular reach past the ear, overhead, and down past the legs, with attention to relaxed upright posture and shoulder alignment.
A poi fu warmup focused on small finger circles and smooth shoulder looseners. It reviews forward and backward circle patterns, including same-direction and opposite-direction timing, keeping both hands aligned in height while changing circle size and direction.
Behind-the-back poi fu arm pattern with opposite-direction circles. The lesson focuses on switching between inside and outside arm circles while keeping the hands rolling smoothly, using a wall or partner as a reference to maintain clear direction behind the body.
Partner Poi Fu travel patterns using synchronized footwork and turns while facing each other. The lesson shows traveling together in different directions with heel pivots and back-step turning, with simple partner timing and awareness cues like spotting and rhythm.
A partner mirroring exercise for poi, where two people face each other and copy the leader’s body movements and expression. The pattern can be done first without poi, then with one partner spinning poi while still mirroring the other.
Spiral wraps for poi, focusing on keeping both poi close to the body by slightly bending the planes inward. The lesson outlines a split-time, same-direction setup and brings the hands closer together, with notes on hand position and how different grips affect the wrap.
Split time hip reels for poi, focusing on alternating hip-level reels and the hand path needed to keep smooth circles. The lesson connects split time timing with hip reels and emphasizes consistent thumb-in positioning as the poi pass front-to-back near the hips.
A poi split-time sequence combining split-time same-direction patterns into a continuous progression, linking a forward weave start with openings, whirls, and in-spin elements before returning to the weave.
Suggestions for poi one-armed practice, focusing on drilling the non-dominant side. The lesson highlights single-hand isolations and stalls, with attention to smooth control across different planes and directions.
Poi turning practice focused on maintaining clear planes while spinning, with the arms following the poi on inside pathways. The lesson explores coordinating turns with in-spin and anti-spin timing to keep the poi close and controlled during rotation.
An up-and-down post variation for poi flowers, focusing on keeping the petal tips aligned on vertical and horizontal points as the pattern rises and drops. The lesson also references using a vertical landmark as a guide for cleaner placement.
Using a beam or post or pole to work on flower petals
Using a fixed beam, post, or pole as a visual centerline, this poi lesson focuses on refining four-petal flower patterns. It highlights keeping top and bottom petals on clear cardinals and using the object to check alignment and accuracy, including clean stalls.
Overview of various poi beat weaves, including two-, three-, four-, five-, seven-, and nine-beat patterns, plus off-beat and deadbeat weaves. Focuses on how beats are counted by downswings and how symmetry changes across different weave counts.
A poi lesson exploring various beat weave variations and deeper weave levels, including adding more circles and managing tether wraps. Focuses on how weave depth changes the pattern and how to wrap and unwrap smoothly across sides.